01. Paisaje Sonoro
Paisaje Sonoro ( Soundscape in translation from Spanish to English ) is a performance and site specific installation, an ongoing series initiated in March 2021 at the Performative Arts residency program taken forward at PAR - Uruguay.
Awards:
2021: PAR Residencia en Artes Performáticas, Montevideo, Uruguay
2022: Selection, 50ta Premios de Artes Visuales de Montevideo, Uruguay
Locations
2021: CCD, Punta del Este, UY.
2021: Eyddos, José Ignacio UY.
2021: CCE, Montevideo, UY.
2021: Ars Electrónica + Quo Artis, Universidad de Barcelona.
2021: NTS Radio, Club Romántico, UK.
2021: Neo Festival, Cosmo Caixa, Barcelona, ES.
2021: Máquina Festival, MMMAD + Las Cigarreras, Alicante, ES.
2022: Subte, Montevideo, UY.
2022: MMMAD, HyperHouse, Madrid, ES.
Awards:
2021: PAR Residencia en Artes Performáticas, Montevideo, Uruguay
2022: Selection, 50ta Premios de Artes Visuales de Montevideo, Uruguay
Locations
2021: CCD, Punta del Este, UY.
2021: Eyddos, José Ignacio UY.
2021: CCE, Montevideo, UY.
2021: Ars Electrónica + Quo Artis, Universidad de Barcelona.
2021: NTS Radio, Club Romántico, UK.
2021: Neo Festival, Cosmo Caixa, Barcelona, ES.
2021: Máquina Festival, MMMAD + Las Cigarreras, Alicante, ES.
2022: Subte, Montevideo, UY.
2022: MMMAD, HyperHouse, Madrid, ES.
Throughout 30 minutes the intra-action (Barad, 2007) between the artist and space/time immersion in technological nature is observed by the audience. The public is guided through the experimentation process whilst the performer generates the live soundscape through the biodata visualization system emitted from the plants temporarily inhabiting the installation.
The installation evokes elemental materials such as light, water, air, earth, and electricity for the creation of the biophilic piece in constant transition and dialogue with its environment. The glass objects are designed to guide the growth of the stem and roots of the plant, incorporating the plants movement as part of the sculpture, creating a piece that evolves over time. By ceasing and perceiving, we reflect upon what it means to be human habiting the natural environment, challenging our perception of non-human intelligence.
02. Celestial Objects
Celestial Objects is a Live A/V performance commissioned by DJ Mbodj for Sonar Festival.
The narrative built for the generative visuals developed in real-time that are constructed through Mbodj's set, recover the concepts that define our solar system, moving through an ethereal and digital visual-soundscape towards a grounded experience.
The narrative built for the generative visuals developed in real-time that are constructed through Mbodj's set, recover the concepts that define our solar system, moving through an ethereal and digital visual-soundscape towards a grounded experience.
Locations
2022: Sonar Festival, Resident Advisor, Barcelona, ES
03. Aural
Aural is an interactive installation and investigation that transmutes light into sound. Inspired by the idea of being able to visualize a participants “aura”, we were drawn towards the impact certain sound frequencies have over our brain waves, modifying our “aura” as such.
Through the phyisical interaction with the luminic sculpture, the participant can design their own soundscape / aura in real-time.
Locations
2019: BAU, Barcelona, ES.
Through the phyisical interaction with the luminic sculpture, the participant can design their own soundscape / aura in real-time.
Locations
2019: BAU, Barcelona, ES.
04. Cielo
Cielo (from latín caelum; from caelum tangi: being – touched – hurt from the ray) is an interactive installation that gives sound to the colour spectrum visible in a series of artificially generated sunsets.
The piece was developed in collaboration with Nicolás Dell'Acqua.
Locations
2022: Proyecto Audire, Braga, PT
The piece was developed in collaboration with Nicolás Dell'Acqua.
Locations
2022: Proyecto Audire, Braga, PT
Clouds give shape and form to the skyscape and take on an extraordinary range of colours. The various nuances of colour are analyzed and translated into sound, in order to create a synaethetic experience, in which two sensations are simultaneously triggered by the same stimulus” (Gage, 1999).
The relation between the colours analyzed and the sound designed were founded upon sensory perception, rather than mathematical structure ( c = f λ ), creating a link between the audio and the visual based on a personal nature of the correlations, inspired by the colour theory established by Albert Munsell in 1905 and the emotional wheel by Robert Plutchik in 1980.
