My practice is nurtured by critical art, ecology, and digital technology. Through my work, I aim to construct narratives and tools that deepen my relationship with the environments I inhabit.
What began in 2019 with the question “How can we integrate nature into an increasingly digitalized era?” evolved in 2023 into “How can we imagine a future limited by alack of vocabulary?”
Here you will find a collection of my artworks taken forward since 2018.
Paisaje Sonoro
Paisaje Sonoro is a performance and site specific installation, a series initiated in March 2021 throughout a performative arts residency program taken forward at PAR, Montevideo, Uruguay.
Awards:
2021: PAR Residencia en Artes Performáticas, Montevideo, Uruguay
2022: Selection, 50ta Premios de Artes Visuales de Montevideo, Uruguay
Locations
2021: CCD, Punta del Este, UY.
2021: Eyddos, José Ignacio UY.
2021: CCE, Montevideo, UY.
2021: Ars Electrónica + Quo Artis, Universidad de Barcelona.
2021: NTS Radio, Club Romántico, UK.
2021: Neo Festival, Cosmo Caixa, Barcelona, ES.
2021: Máquina Festival, MMMAD + Las Cigarreras, Alicante, ES.
2022: Subte, Montevideo, UY.
2022: MMMAD, HyperHouse, Madrid, ES.
2022: Il.lacions Design Gallery, Barcelona, ES
2022: Mira Festival, Barcelona, ES
2022: Bocca di Bonifacio, Barcelona, ES
Awards:
2021: PAR Residencia en Artes Performáticas, Montevideo, Uruguay
2022: Selection, 50ta Premios de Artes Visuales de Montevideo, Uruguay
Locations
2021: CCD, Punta del Este, UY.
2021: Eyddos, José Ignacio UY.
2021: CCE, Montevideo, UY.
2021: Ars Electrónica + Quo Artis, Universidad de Barcelona.
2021: NTS Radio, Club Romántico, UK.
2021: Neo Festival, Cosmo Caixa, Barcelona, ES.
2021: Máquina Festival, MMMAD + Las Cigarreras, Alicante, ES.
2022: Subte, Montevideo, UY.
2022: MMMAD, HyperHouse, Madrid, ES.
2022: Il.lacions Design Gallery, Barcelona, ES
2022: Mira Festival, Barcelona, ES
2022: Bocca di Bonifacio, Barcelona, ES
The performance reflects upon antropocentric perceptions of more-than-human intelligences.
The performer generates a live audio/visual soundscape through the biodata visualization system connected to the plants inhabiting the installation.
The installation evokes elemental materials such as light, water, air, earth, and electricity. It is a piece in constant transition and dialogue with its environment. The glass objects are designed to guide the growth of the stem and roots of the plant, incorporating the plants movement as part of the sculpture, evolving over time.
Espiral
Espiral is a sculpture designed in 2021 as part of the interactive installation created for Paisaje Sonoro, a performative series that generates a live soundscape through the biodata visualization system connected to the plants inhabiting the installation.
They are currently on exhibition and sale at Il.lacions Gallery and Adorno Gallery.
Locations:
2022 “Paisaje II”, Mira Festival
2022: Madrid Design Festival 2022, “Inteferences” Il.lacions, Madrid, ES.
2022: 50a Premios de Artes Visuales, Subte, Montevideo, UY.
2022: MMMad x Las Cigarreras x Todo Bien 2021 “Paisaje Sonoro #6” Akyute, Alicante, ES.
2021: Neo Festival x Cosmo Caixa 2021 “Paisaje Sonoro #5” Akyute, Barcelona, ES.
2022: Bocca di Bonifacio, Barcelona, ES
They are currently on exhibition and sale at Il.lacions Gallery and Adorno Gallery.
Locations:
2022 “Paisaje II”, Mira Festival
2022: Madrid Design Festival 2022, “Inteferences” Il.lacions, Madrid, ES.
2022: 50a Premios de Artes Visuales, Subte, Montevideo, UY.
2022: MMMad x Las Cigarreras x Todo Bien 2021 “Paisaje Sonoro #6” Akyute, Alicante, ES.
2021: Neo Festival x Cosmo Caixa 2021 “Paisaje Sonoro #5” Akyute, Barcelona, ES.
2022: Bocca di Bonifacio, Barcelona, ES
The piece is designed to guide the growth of the stem and roots of the plant, becomming in constant transition and dialogue with its environment. The plants movement becomes part of the sculpture, evolving over time. It is the result of a previous investigation regarding plant-intelligence alongside Akyute.
The spiral shape symbolizes the life order, continuity, development and motion.
The spiral shape symbolizes the life order, continuity, development and motion.
Time, Force and Space
Awards
“Supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner
for Culture and the Media within the program NEUSTART KULTUR.”
#TakeHeart #TakeHeartNeustart Fonds Darstellende Künste
Body breaking and making. This is an ongoing investigation between Nona Siepmann,
Daphne Xanthopoulou
and Akyute which explores the way in which digital interaction influences our body language. By intersecting movement and real-time generative code we can establish new performative forms, patterns and narratives based on this interaction.
Awards
“Supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner
for Culture and the Media within the program NEUSTART KULTUR.”
#TakeHeart #TakeHeartNeustart Fonds Darstellende Künste
Together we open dialogue to question: what are the sounds and movements of our bodies in these future worlds?
See glimpse here and here
As digital technology becomes ever more rooted internally, rendering as invisible, we come to humanize it, outsourcing our processes of self-awareness at the risk of desensitising our connection to our own bodies. where at a lack of randomness, there is a disenchantment of the human experience. as the body was reduced to measurements, the community was reduced to individuals and the earth reduced to property. In this piece the movement constructs a digital landscape that begs to respond to flesh, but the system cannot interpret from what the body experiences and from where it dances. We can breathe life into digital technology without losing our humanity. How can I be present to this duality?
Manglar ( 2024 )
"Mangrove" (translated from Spanish as "Manglar")—scent, tangle, soil, crossroads. The mangrove serves as the transition zone between marine and terrestrial biomes, a meeting point where the forms and sensitivities of water and earth converge. It breathes with the tides, filling and emptying daily, and maintains a delicate balance. Marine animals come here daily to mate, lay eggs, care for their young, and bask in its warmth and libidinal energy.
"Manglar" is a transdisciplinary collective initiative by a group of 7 individuals based in Barcelona, with members from Uruguay, Brazil, Argentina, Colombia, and Catalonia, who came together during the Humedal residency at Wetlab in 2023. These encounters harmonized into a shared agenda, evolving into an experimental project.
We propose a cycle of high libidinal energy within the group, aiming to create a space for exchanging practices centered on situated sciences, while intensively engaging with Wetlab.
Our approach involves experiencing a set of practices suggested by the group, framed through the lens of "situated sciences." These practices seek to connect with and enchant different worlds, emphasizing the de-universalization of scientific gestures. This entails: first, incorporating the scientist's body as both position and place; second, recognizing and developing methods to engage with more-than-human positions within experimental networks; and third, exploring the relationship between fiction, performativity, and science.
"Mangrove" (translated from Spanish as "Manglar")—scent, tangle, soil, crossroads. The mangrove serves as the transition zone between marine and terrestrial biomes, a meeting point where the forms and sensitivities of water and earth converge. It breathes with the tides, filling and emptying daily, and maintains a delicate balance. Marine animals come here daily to mate, lay eggs, care for their young, and bask in its warmth and libidinal energy.
"Manglar" is a transdisciplinary collective initiative by a group of 7 individuals based in Barcelona, with members from Uruguay, Brazil, Argentina, Colombia, and Catalonia, who came together during the Humedal residency at Wetlab in 2023. These encounters harmonized into a shared agenda, evolving into an experimental project.
We propose a cycle of high libidinal energy within the group, aiming to create a space for exchanging practices centered on situated sciences, while intensively engaging with Wetlab.
Our approach involves experiencing a set of practices suggested by the group, framed through the lens of "situated sciences." These practices seek to connect with and enchant different worlds, emphasizing the de-universalization of scientific gestures. This entails: first, incorporating the scientist's body as both position and place; second, recognizing and developing methods to engage with more-than-human positions within experimental networks; and third, exploring the relationship between fiction, performativity, and science.
The project's structure begins with radical contamination—blending organisms, cultures, and dirt—and concludes with decontamination, separation, and space cleaning, mirroring a tidal cycle of highs and lows.
Our practices include: Cultures (bacteria, fungi, plants, and symbiotic situations), Multispecies Oracles, Therolinguistic Sciences Committee, Situated Tools, Metamorphosis of Matter, Pause and Rest, and Consortium for Decontamination and/or Sterilization. Our aim is to explore ecologies of practice grounded in play, pleasure, and experimentation, fostering intimacies between species and challenging scientific conventions.
We aim to explore situated science by weaving experiences, tools, and methodologies that question universal ideals in natural knowledge. We seek to develop research strategies where problems and questions emerge from close dialogues with non-human organisms, decentralizing inquiry and broadening discovery horizons to enhance our capacity to listen to these organisms.
Our practices include: Cultures (bacteria, fungi, plants, and symbiotic situations), Multispecies Oracles, Therolinguistic Sciences Committee, Situated Tools, Metamorphosis of Matter, Pause and Rest, and Consortium for Decontamination and/or Sterilization. Our aim is to explore ecologies of practice grounded in play, pleasure, and experimentation, fostering intimacies between species and challenging scientific conventions.
We aim to explore situated science by weaving experiences, tools, and methodologies that question universal ideals in natural knowledge. We seek to develop research strategies where problems and questions emerge from close dialogues with non-human organisms, decentralizing inquiry and broadening discovery horizons to enhance our capacity to listen to these organisms.