
My practice is nurtured by critical art, ecology, and digital technology. Through my work, I aim to construct narratives and tools that deepen my relationship with the environments I inhabit.
Here you will find a collection of my artworks taken forward since 2018.

El Aire Permite Abrir Espacio ( 2025 )
“El Aire Permite Abrir Espacio” (translation from English to Spanish: “Air Opens Space”) is the title given to an installation format within the series “Archivos Porosos”,
a living research practice that explores composting as both methodology and metaphor.
The work emerges from a process of symbolic and material decomposition—a gesture of reconfiguring language, memory, and artistic practice through porous, more-than-human dialogues.
“Siento el descomponer en múltiples formas, en la piel, en las pequeñas muertes, al nadar, al flotar, en el viento, al quemarme, al enterrarme. Un gesto para revisitar: qué se guarda, qué se archiva, qué se entierra.”
This installation consists of twelve motorized iron sculptures, created in collaboration with metallurgist María Chidan, which slowly shift, rotate, and breathe. Their choreography is subtle yet persistent, evoking the elemental dynamics of air: drift, turbulence, stillness, storm. In constant motion, they respond to the space they inhabit, creating a choreography of interdependence.
This pieces emerges from the intimate need to capture the subtleties of my research, the delicacies of the process or methodology itself. A gesture to revisit: what is kept, what is archived, what is buried. It is an exploration to compost my practice, to let words decompose and nourish the soil. A format that reflects the research I’ve carried out over recent years, opening a dialogue between art, technology, and ecology.
In a present marked by ecological and narrative tensions, composting the archive becomes an urgent act. Western language acts as a lens, but also as a limit. Built upon oppressive taxonomies, they continues to shape our relations. How can we imagine futures while constrained by a lack of vocabulary? In nature, there is no waste—let the words fragment, rot, and feed what has not yet germinated. Language, like organic matter, erodes over time—a fertile ground for new thought configurations. How do we foster and transform our connections? Moisture as a gesture of metabolization.
Here, air becomes a method of listening. A porous space where language decomposes and transforms into embodied knowledge. The installation invites viewers to inhabit the between form and formlessness, between what is remembered and what is yet to emerge.
The work emerges from a process of symbolic and material decomposition—a gesture of reconfiguring language, memory, and artistic practice through porous, more-than-human dialogues.
“Siento el descomponer en múltiples formas, en la piel, en las pequeñas muertes, al nadar, al flotar, en el viento, al quemarme, al enterrarme. Un gesto para revisitar: qué se guarda, qué se archiva, qué se entierra.”
This installation consists of twelve motorized iron sculptures, created in collaboration with metallurgist María Chidan, which slowly shift, rotate, and breathe. Their choreography is subtle yet persistent, evoking the elemental dynamics of air: drift, turbulence, stillness, storm. In constant motion, they respond to the space they inhabit, creating a choreography of interdependence.
This pieces emerges from the intimate need to capture the subtleties of my research, the delicacies of the process or methodology itself. A gesture to revisit: what is kept, what is archived, what is buried. It is an exploration to compost my practice, to let words decompose and nourish the soil. A format that reflects the research I’ve carried out over recent years, opening a dialogue between art, technology, and ecology.
In a present marked by ecological and narrative tensions, composting the archive becomes an urgent act. Western language acts as a lens, but also as a limit. Built upon oppressive taxonomies, they continues to shape our relations. How can we imagine futures while constrained by a lack of vocabulary? In nature, there is no waste—let the words fragment, rot, and feed what has not yet germinated. Language, like organic matter, erodes over time—a fertile ground for new thought configurations. How do we foster and transform our connections? Moisture as a gesture of metabolization.
Here, air becomes a method of listening. A porous space where language decomposes and transforms into embodied knowledge. The installation invites viewers to inhabit the between form and formlessness, between what is remembered and what is yet to emerge.
[el aire permite abrir espacio] reads as follows: the air, the wind, the feather, the dust. noise drifts, as the wind stirs my thoughts. trenzo mis pensamientos para que el viento no se los lleve, que de mis raices brotan zarzas no flores. su movimiento nunca permanece estático. nada existe solo, y nada sobre vivo solo. hay un continuo ciclo de tiempo y secuencia, y cada efecto tiene su casa. as the air flows, spaces open, propelling currents, waves, and flames. It buries seeds with its strength, ignites fires, stirs storms. air's exhale opens space, whilst stagnation obstructs movement.
2023: This investigation was initiated within the Humboldt Residency Programme 2023: Our Precious Resources, Berlin, GER; and further explored within the Humedal Wetlab Residency Programme at Hangar Barcelona, ES.
2024: Later evolving through an initial prototype exhibited at Rizoma Festival, La Cellera de Ter, ES.
2025: Further explored at “Spring Ceremonies” comissioned by Nike Women, Barcelona, ES.
2025: Exhibited at Il.lacions Gallery, Barcelona, ES.
2023: This investigation was initiated within the Humboldt Residency Programme 2023: Our Precious Resources, Berlin, GER; and further explored within the Humedal Wetlab Residency Programme at Hangar Barcelona, ES.
2024: Later evolving through an initial prototype exhibited at Rizoma Festival, La Cellera de Ter, ES.
2025: Further explored at “Spring Ceremonies” comissioned by Nike Women, Barcelona, ES.
2025: Exhibited at Il.lacions Gallery, Barcelona, ES.






A Skin of Soil
Alongside Akyute and Alice Sparkly Kat we have withdrawn our performance “A Skin of Soil [ Live A/V ] from Sónar Festival.
The piece we had created was a navigation of the year of the snake to embody new skins. A series of narrative stories and speculations that play with the concept of resurrection by fire.
In collaboration with Akyute, Alice Sparkly Kat was to read a silly horror story about a snake, a fable about skin, and give a forecast for 2025 year of the Wood Snake. We centered this storytelling experience around the theme of regeneration.
2025: Comissioned by Sonar Festival, Barcelona, ES
The piece we had created was a navigation of the year of the snake to embody new skins. A series of narrative stories and speculations that play with the concept of resurrection by fire.
In collaboration with Akyute, Alice Sparkly Kat was to read a silly horror story about a snake, a fable about skin, and give a forecast for 2025 year of the Wood Snake. We centered this storytelling experience around the theme of regeneration.
2025: Comissioned by Sonar Festival, Barcelona, ES
Although Sónar´s most recent public statement does enouragingly distance the festival from the genocide-complicit actions of its parent company KKR, it fails to fully adhee to BDA guidelines or engage with the other Palestinian demands outlined in last week´s open letter which has now been signed by more than 140 artists.
Currently we are working on an editorial format to share our works, which will be available for purchase soon, whilst we look for new spaces to exhibit our performance.





Paisaje Sonoro
Paisaje Sonoro is a performance and site specific installation, a series initiated in March 2021 throughout a performative arts residency program taken forward at PAR, Montevideo, Uruguay.
Awards:
2021: PAR Residencia en Artes Performáticas, Montevideo, Uruguay
2022: Selection, 50ta Premios de Artes Visuales de Montevideo, Uruguay
Locations
2021: CCD, Punta del Este, UY.
2021: Eyddos, José Ignacio UY.
2021: CCE, Montevideo, UY.
2021: Ars Electrónica + Quo Artis, Universidad de Barcelona.
2021: NTS Radio, Club Romántico, UK.
2021: Neo Festival, Cosmo Caixa, Barcelona, ES.
2021: Máquina Festival, MMMAD + Las Cigarreras, Alicante, ES.
2022: Subte, Montevideo, UY.
2022: MMMAD, HyperHouse, Madrid, ES.
2022: Il.lacions Design Gallery, Barcelona, ES
2022: Mira Festival, Barcelona, ES
2022: Bocca di Bonifacio, Barcelona, ES
Awards:
2021: PAR Residencia en Artes Performáticas, Montevideo, Uruguay
2022: Selection, 50ta Premios de Artes Visuales de Montevideo, Uruguay
Locations
2021: CCD, Punta del Este, UY.
2021: Eyddos, José Ignacio UY.
2021: CCE, Montevideo, UY.
2021: Ars Electrónica + Quo Artis, Universidad de Barcelona.
2021: NTS Radio, Club Romántico, UK.
2021: Neo Festival, Cosmo Caixa, Barcelona, ES.
2021: Máquina Festival, MMMAD + Las Cigarreras, Alicante, ES.
2022: Subte, Montevideo, UY.
2022: MMMAD, HyperHouse, Madrid, ES.
2022: Il.lacions Design Gallery, Barcelona, ES
2022: Mira Festival, Barcelona, ES
2022: Bocca di Bonifacio, Barcelona, ES
The performance reflects upon antropocentric perceptions of more-than-human intelligences.
The performer generates a live audio/visual soundscape through the biodata visualization system connected to the plants inhabiting the installation.
The installation evokes elemental materials such as light, water, air, earth, and electricity. It is a piece in constant transition and dialogue with its environment. The glass objects are designed to guide the growth of the stem and roots of the plant, incorporating the plants movement as part of the sculpture, evolving over time.







Espiral
Espiral is a sculpture designed in 2021 as part of the interactive installation created for Paisaje Sonoro, a performative series that generates a live soundscape through the biodata visualization system connected to the plants inhabiting the installation.
They are currently on exhibition and sale at Il.lacions Gallery and Adorno Gallery.
Locations:
2022 “Paisaje II”, Mira Festival
2022: Madrid Design Festival 2022, “Inteferences” Il.lacions, Madrid, ES.
2022: 50a Premios de Artes Visuales, Subte, Montevideo, UY.
2022: MMMad x Las Cigarreras x Todo Bien 2021 “Paisaje Sonoro #6” Akyute, Alicante, ES.
2021: Neo Festival x Cosmo Caixa 2021 “Paisaje Sonoro #5” Akyute, Barcelona, ES.
2022: Bocca di Bonifacio, Barcelona, ES
They are currently on exhibition and sale at Il.lacions Gallery and Adorno Gallery.
Locations:
2022 “Paisaje II”, Mira Festival
2022: Madrid Design Festival 2022, “Inteferences” Il.lacions, Madrid, ES.
2022: 50a Premios de Artes Visuales, Subte, Montevideo, UY.
2022: MMMad x Las Cigarreras x Todo Bien 2021 “Paisaje Sonoro #6” Akyute, Alicante, ES.
2021: Neo Festival x Cosmo Caixa 2021 “Paisaje Sonoro #5” Akyute, Barcelona, ES.
2022: Bocca di Bonifacio, Barcelona, ES
The piece is designed to guide the growth of the stem and roots of the plant, becomming in constant transition and dialogue with its environment. The plants movement becomes part of the sculpture, evolving over time. It is the result of a previous investigation regarding plant-intelligence alongside Akyute.
The spiral shape symbolizes the life order, continuity, development and motion.
The spiral shape symbolizes the life order, continuity, development and motion.