From the necessary revision of the concept of nature, I am drawn to the vocabularies that are missing when we speak to interspecies alliances and possible futures.
My practice is shaped through guiding questions: iniciating in 2018 with “How can nature be integrated in an increasingly digitalized era?” in a context of climate emergency, evolving by 2023 into “How can we imagine futures limited by a lack of vocabulary?” questioning colonial taxonomies that continue to shape the ways in which we relate to our environments.
In nature waste does not existe, let the words fragment, decay, and nourish what has not yet germinated. From this, my investigation understood language as organic matter, one that must decay and nourish what has not yet germinated.
My methodological research emerges from composting as a process of artistic creation, grounded in the understanding that for something to decompose, it must first be porous. Leading me to navigate my my work as a territory that fractures, ferments, decays and reorganizes into new forms of intimacy.
My practice is shaped through guiding questions: iniciating in 2018 with “How can nature be integrated in an increasingly digitalized era?” in a context of climate emergency, evolving by 2023 into “How can we imagine futures limited by a lack of vocabulary?” questioning colonial taxonomies that continue to shape the ways in which we relate to our environments.
In nature waste does not existe, let the words fragment, decay, and nourish what has not yet germinated. From this, my investigation understood language as organic matter, one that must decay and nourish what has not yet germinated.
My methodological research emerges from composting as a process of artistic creation, grounded in the understanding that for something to decompose, it must first be porous. Leading me to navigate my my work as a territory that fractures, ferments, decays and reorganizes into new forms of intimacy.
Since 2023 porosity became both a methodology to remain permeable to relational entanglements, cultivating forms of knowledge that are both situated and sensitive. A way to challenging dominant modes of knowledge production within the Anthropocene, a method for softening the boundaries between bodies, languages, technologies, and the territories we cross.
Today A Practice of Porosity represents a living investigation that allows me to inhabit decomposition and sustain sensitivity within contexts of accelerated change and deep erosion.
The following are a selection of projects that have embodied this process:
Today A Practice of Porosity represents a living investigation that allows me to inhabit decomposition and sustain sensitivity within contexts of accelerated change and deep erosion.
The following are a selection of projects that have embodied this process:
Despliegues
Over the upcomming months I will be experimenting the workspace as artwork in itself, a place to explore documenting and opening my procedural practice, capturing the subtle nuances of my research. Acumular gestos del residuo, el fallo y la fragilidad.
2026: Residency Il.lacions Gallery, Barcelona, ES
Over the upcomming months I will be experimenting the workspace as artwork in itself, a place to explore documenting and opening my procedural practice, capturing the subtle nuances of my research. Acumular gestos del residuo, el fallo y la fragilidad.
2026: Residency Il.lacions Gallery, Barcelona, ES
The Softest Hard,
(A Practice of Porosity, Hangar)
Methodology: Allow proximity to rearrange matter
Methodology: Allow proximity to rearrange matter
A Practice of Porosity is a living research project that holds space for what is left behind.
There is a gentleness in decay, an intelligence that inhabits things as they open towards their own undoing.
2026: Residency Hangar Barcelona, ES
2026: Art Nou, Tandem x Casa RARO, Barcelona, ES
The Softest Hard presents a series of objects that accumulate gestures of failure and fragility during my residency at Hangar, Barcelona. It questions the political community that invests more energy in reinforcing borders than in expanding rights.
Materially, the pieces are constructed from blown glass and the reconstruction of found objects, with multispecies collaborations and low-tech languages. Through alliances with people, materials, and tools in contexts of proximity, I have allowed remnants and relationships to ferment and reorganize into new forms of intimacy.
As part of this research, I commuted the same route every day for three months, observing the places where waste accumulates and documenting both the materials that circulate and those that remain. By placing my attention on materials that, despite being discarded or deemed undesirable, I noticed their permanence within the city.
2026: Residency Hangar Barcelona, ES
2026: Art Nou, Tandem x Casa RARO, Barcelona, ES
The Softest Hard presents a series of objects that accumulate gestures of failure and fragility during my residency at Hangar, Barcelona. It questions the political community that invests more energy in reinforcing borders than in expanding rights.
Materially, the pieces are constructed from blown glass and the reconstruction of found objects, with multispecies collaborations and low-tech languages. Through alliances with people, materials, and tools in contexts of proximity, I have allowed remnants and relationships to ferment and reorganize into new forms of intimacy.
As part of this research, I commuted the same route every day for three months, observing the places where waste accumulates and documenting both the materials that circulate and those that remain. By placing my attention on materials that, despite being discarded or deemed undesirable, I noticed their permanence within the city.
What began as a poetic gesture within my practice gradually revealed broader logics of extraction, excess, and disposal, as well as recycling systems sustained by marginalized and invisible bodies and forms of labor. At €0.20 per kilogram of iron and €1 per kilogram of aluminum, the prices expose circuits of exploitation and displaced ecological violence.
During this period, I shared a staircase with a space occupied by recyclers, who dismantle found objects daily under precarious conditions. The proximity between their gestures and my own practice generated a productive tension around the material conditions and privileges from which my work operates. Over time, this tension evolved into forms of exchange and reciprocity through the circulation of tools, materials, and care. Some of the recyclers began setting aside fragments for me, while I gathered leftover materials from my walks and from other Hangar residents to contribute to their recycling processes. These relationships became an active part of my methodology of porosity, cultivating more situated and attentive ways of making. The sculptures that emerged embody tangled, often invisible anatomies, assembled from the materials accumulated through these exchanges.
This research unfolds within a broader political context in which the European Parliament has definitively approved the “Return Regulation,” a migration framework that undermines fundamental human rights. The Softest Hard turns attention toward those who sustain the metabolism of a system that simultaneously excludes them, opening a dialogue about the future of bodies and forms of labor that have already been rendered invisible, while questioning political communities that, rather than expanding rights, reinforce borders.
During this period, I shared a staircase with a space occupied by recyclers, who dismantle found objects daily under precarious conditions. The proximity between their gestures and my own practice generated a productive tension around the material conditions and privileges from which my work operates. Over time, this tension evolved into forms of exchange and reciprocity through the circulation of tools, materials, and care. Some of the recyclers began setting aside fragments for me, while I gathered leftover materials from my walks and from other Hangar residents to contribute to their recycling processes. These relationships became an active part of my methodology of porosity, cultivating more situated and attentive ways of making. The sculptures that emerged embody tangled, often invisible anatomies, assembled from the materials accumulated through these exchanges.
This research unfolds within a broader political context in which the European Parliament has definitively approved the “Return Regulation,” a migration framework that undermines fundamental human rights. The Softest Hard turns attention toward those who sustain the metabolism of a system that simultaneously excludes them, opening a dialogue about the future of bodies and forms of labor that have already been rendered invisible, while questioning political communities that, rather than expanding rights, reinforce borders.
Methodology:
Follow the same route every day, observe the places where waste accumulates, observe what remains, what circulates.
( A Practice of Porosity, Hangar)
( A Practice of Porosity, Hangar)
A Practice of Porosity is a living research project that holds space for what is left behind.
There is a gentleness in decay, an intelligence that inhabits things as they open towards their own undoing.
2026: Residency Hangar Barcelona, ES
2026: Maker Sherpa, Convent de Sant Augustí, Barcelona, ES
2026: Residency Hangar Barcelona, ES
2026: Maker Sherpa, Convent de Sant Augustí, Barcelona, ES
This series of sculptural objects emerges from a daily practice of walking, collecting, and attending to what persists. During my residency at Hangar, I followed the same route each day, gathering discarded materials encountered along the commute. An exercise in seeing what is left behind, too broken, too useless or too little economic value that become permanent. Through repetition, the act of collecting became a method for observing patterns of circulation, abandonment, and permanence within the urban landscape.
Manglar ( 2024 )
Mangrove (translated from Spanish as "Manglar"), scent, tangle, soil, crossroads. The mangrove serves as the transition zone between marine and terrestrial biomes, a meeting point where the forms and sensitivities of water and earth converge. It breathes with the tides, filling and emptying daily, and maintains a delicate balance. Marine animals come here daily to mate, lay eggs, care for their young, and bask in its warmth and libidinal energy.
Manglar is a transdisciplinary collective initiative by a group of 7 individuals based in Barcelona, with members from Uruguay, Brazil, Argentina, Colombia, and Catalonia, who came together during the Humedal residency at Wetlab in 2023. These encounters harmonized into a shared agenda, evolving into an experimental project.
We propose a cycle of high libidinal energy within the group, aiming to create a space for exchanging practices centered on situated sciences, while intensively engaging with Wetlab.
Our approach involves experiencing a set of practices suggested by the group, framed through the lens of "situated sciences." These practices seek to connect with and enchant different worlds, emphasizing the de-universalization of scientific gestures. This entails: first, incorporating the scientist's body as both position and place; second, recognizing and developing methods to engage with more-than-human positions within experimental networks; and third, exploring the relationship between fiction, performativity, and science.
Mangrove (translated from Spanish as "Manglar"), scent, tangle, soil, crossroads. The mangrove serves as the transition zone between marine and terrestrial biomes, a meeting point where the forms and sensitivities of water and earth converge. It breathes with the tides, filling and emptying daily, and maintains a delicate balance. Marine animals come here daily to mate, lay eggs, care for their young, and bask in its warmth and libidinal energy.
Manglar is a transdisciplinary collective initiative by a group of 7 individuals based in Barcelona, with members from Uruguay, Brazil, Argentina, Colombia, and Catalonia, who came together during the Humedal residency at Wetlab in 2023. These encounters harmonized into a shared agenda, evolving into an experimental project.
We propose a cycle of high libidinal energy within the group, aiming to create a space for exchanging practices centered on situated sciences, while intensively engaging with Wetlab.
Our approach involves experiencing a set of practices suggested by the group, framed through the lens of "situated sciences." These practices seek to connect with and enchant different worlds, emphasizing the de-universalization of scientific gestures. This entails: first, incorporating the scientist's body as both position and place; second, recognizing and developing methods to engage with more-than-human positions within experimental networks; and third, exploring the relationship between fiction, performativity, and science.
The project's structure begins with radical contamination, blending organisms, cultures, and dirt, and concludes with decontamination, separation, and space cleaning, mirroring a tidal cycle of highs and lows.
Our practices include: Cultures (bacteria, fungi, plants, and symbiotic situations), Multispecies Oracles, Therolinguistic Sciences Committee, Situated Tools, Metamorphosis of Matter, Pause and Rest, and Consortium for Decontamination and/or Sterilization. Our aim is to explore ecologies of practice grounded in play, pleasure, and experimentation, fostering intimacies between species and challenging scientific conventions.
We aim to explore situated science by weaving experiences, tools, and methodologies that question universal ideals in natural knowledge. We seek to develop research strategies where problems and questions emerge from close dialogues with non-human organisms, decentralizing inquiry and broadening discovery horizons to enhance our capacity to listen to these organisms.
Our practices include: Cultures (bacteria, fungi, plants, and symbiotic situations), Multispecies Oracles, Therolinguistic Sciences Committee, Situated Tools, Metamorphosis of Matter, Pause and Rest, and Consortium for Decontamination and/or Sterilization. Our aim is to explore ecologies of practice grounded in play, pleasure, and experimentation, fostering intimacies between species and challenging scientific conventions.
We aim to explore situated science by weaving experiences, tools, and methodologies that question universal ideals in natural knowledge. We seek to develop research strategies where problems and questions emerge from close dialogues with non-human organisms, decentralizing inquiry and broadening discovery horizons to enhance our capacity to listen to these organisms.